Asian aesthetics first surfaced in academic literature as a Figure 1 point of comparison for Western aesthetics, it was seen as the ‘other’ and was used to define what is Western aesthetics by providing what is not. This attitude towards Asian aesthetics proved detrimental to understanding Asian art as they were taken out of context (e. G. Traditions, religion) and evaluated using Western standards. But […]

Notes on Hans Ours von Baluster’s Thought Edmund Hustler’s phenomenology analyzes the downfall of science into techno, deprived of its necessary foundation in objective evidence. It responds to this impoverished self-understanding of science, the human being and the goals of reason themselves, uncovering in the roots of this epistemological and cultural crisis the true founding of our understanding and praxis of human experience. In a […]

The schematization of aesthetics was founded in Ancient times, which is manifested in Plato and Aristotle’s philosophies. Plato stance on aesthetic is very negative because it can distract the innate nature of soul. But his pessimism on aesthetics specifically of arts in general is best represented in his conjecture that an art “is thrice removed from reality”. Aristotle, on the other hand, has positive note […]