Do the Right Thing

Do The Right Thing, a film that Spike Lee directed and starred in, revolved around the main character named Mookie who lives in a low income residency in Brooklyn, New York.The main focus of this piece of film centers around how race, economic wealth and social class affects the way everyone on the neighborhood treats and acts around one another. It starts off as a hot day as the characters are getting up ready to take on another day that life has to offer but ends in catastrophic events when the sky turns to night as the true colors of this neighborhood are released.. The conflict that took place throughout the movie The conflict of different ethnicities results in a racial issue that still takes place in society today.

The first chosen scene starts off with a record playing as the sound of conga drums are heard just before the camera fades to the next scene of Puerto Rican men listening in on some traditional salsa music. Spike Lee employs a substantial amount of symbolic representation in the way the men appear physically and emotionally through their clothing, language and facial expressions. The pish language is spoken from the man in the middle as he claims his homeland to be beautiful but the other men around him oppose of that claim as they call it a nightmare.

The man in the center speaks in Spanish, referring to his beautiful land Puerto Rico, while his friend disagree with its beauty by calling it a nightmare. This scene successfully portrays that even though they are black and live in the same neighborhood, they still have different opinions on each other. Two black men begin to exchange words as the camera pans away to reveal upbeat salsa music being played from an older boom box that begins to blend in with loud rap as Radio Raheem is near with his newer and much bigger boom box.

The camera pans to the right and moves up focusing the the large and newer boombox held by two large hands of an African American wearing gold plated knuckle jewelry.. The camera pauses on Raheem’s knuckle jewelry that reads ‘super” and “pro”. The stereos noise and size along with the jewelry resemble wealth and status in a poverty stricken neighborhood. The camera pans to Raheem’s serious face and his neck showing a African medallion representing his culture. The camera focuses in on Raheem as loud Puerto Ricans are heard in the background yelling their salsa music is being drowned out. The rotating of the camera to the right passes green bushes that show hot climate weather and salsa music is heard being played again.

A challenge of power is issued by Radio Raheem to the man in the center as both of them standing across from each other with their loud rap music that the Black youth can recognize. This challenge has both economic and racial symbolism because as not only are we hearing who’s stereo is louder but also who is part of the more authoritative culture. The stereo owned buy the Puerto Rican that has the flag sticker on it was clearly heavily used more in the past since the volume is not as loud when turned up; the viewer of the movie can realize this as well.

With a twist and turn of multiple nobs, Raheem floods the salsa music letting the Puerto Rican man know that he had just lost the power. The Puerto Rican tones down his music and says, “You got it bro” to Radio Raheem to then Raheem proceeds to smile and to pump his fist high in the air while walking away knowing that he has the power over the Puerto Ricans. This two minute scene represented the movie in a way how how each race wants to feel acknowledged, dominant and respect by other racial groups in the movie. Raheem is more powerful and forerunner throughout the film as he faces many more confrontations along the way.

The next scene selected happens to start off moments after the police took the life of Radio Raheem as they responded to viscous street fight between Radio Raheem and Sal. This is a representation of how unthoughtful events can lead to violence as other characters yell out the names of other victims of police brutality. The viewer can begin to realize that this was no accident that had taken place that these events have been occurring in the neighborhood. Residents of this impoverished neighborhood are mindful of the standard for them to be a fatality of ruthless police. The older man said, “They didn’t have to kill the boy,” making note that though Radio Raheem was a fairly large intimidating person, he was still only a young boy.

The camera pans to Mookies stunned face revealing that it is wrong on his part how he is standing with three white men while the whole neighborhood and his friends watch. The placement of each character is important as Sal is in front with his two sons behind him representing that Sals sons got his back; family over anything. Mookie is standing in place next to Sal, but his body language is pointing slightly away as Mookie is rethinking about his decision to side with them. Mookie turns his head to Sal and the neighborhood crowd and ultimately decides to walk away from Sal. This shot was very significant because Mookie was employed and showed loyalty to Sal, but Sal crossed the fine line that pushed Mookie away from him. Sal’s face tenses up as he had at one point someone from the neighborhood on his side who ethnically resembles the rest of the residents living in the housing complexes who are not pleased with his family.

The moment is starting to heat up, the Mayor is trying to ease the crowds frustrations but can not do so as he is not deemed to be trustworthy due to his alcoholic problems and his rugged looking attire. The mob of residents is clearly upset but has not yet chose to cause any sort of mischief. From a large black crowd to Sal and his two sons, the camera pans to reveal that though Sal and his sons may be more stable in terms of wealth and economic status, they do not have the supportive numbers to hold control of their restaurant establishment.

The facial expression on Pino’s face communicates that he eventually knew this incident was going to take place. Sal and his sons are now a symbol of all prejudice actions committed towards the residents of the area by someone who is either different color in skin tone or by the power of wealth. Ironically, before the please got to the scene, Radio Raheem was choking out Sal but the the residents of the neighborhood did not think for a second to stop it. Mookie runs towards Sal’s pizzeria with a trash can held in his hand and proceeds to smash Sal’s restaurant angrily due to his powerless emotions caused by the police.

In slow motion, Sal is heard saying “No” as he realizes it is too late to save the pizzeria. Residents begin to barge their way into the pizzeria, vandalizing and looting anything in the sight of their eyes as they are finally tired of feeling powerless b people perceived to have a higher social status than them. As some the residents destroy the restaurant, others go straight to the cash registers to steal any money they could get their hands on to gain power economically that they have never experienced before. From across the street, Sal is in disbelief watching his pizzeria, social status, economic wealth that he has worked for his whole life come crashing down right in front of his eyes.

The conflict of the film was built slowly as Spike Lee did not focus in on the overwhelming stereotypes such as the Asian store owners and Buggin Out who was a hyperactive and flustered young man that leaned towards the pro black ideology. The film clearly shows that racism exist and his a concerning issue within the United States but the viewer does not fully notice it until the very end of the movie.It is important to notify that race is not the sole issue hear, but also who has greater control over everyone else.

The combination of the two is what provokes the boiling point in the film. Comic scenes such as the boombox showdown demonstrate the implicit meaning of who has more power, not about the person with the louder music and riots do not form without having a sense of fear and wanting a change in the way law reinforcements treats the residents living in the Brooklyn neighborhood. Do The Right Things is more than just a picture on police ferociousness or racial distinguishability, it is about the beauty and ugliness that exist, not only in a low income community, but in ourselves.

Jionne McMichael November 17, 2012 Art of Film Color As A Formalistic Device in Do The Right Thing Spike Lee presents his “truth” about race relations in his movie Do the Right Thing. The film illustrates the spectacle of black discrimination and racial altercations and portrayed the “true” realities of an African American living in the 1980s. The movie is set in the Bedford-Stuyvesant neighborhood of Brooklyn, New York on the hottest day in the summer where racial tensions are growing.

Spike Lee uses color dramatically to help illustrate and emphasize these growing tensions that ultimately escalates to violence and tragedy and also, to help emphasize emotions. Color, as defined by Gianetti, is a realist technique but can be formalist having a subconscious impact on the viewer. There are two types of colors; warm and cool. Warm colors stress adjectives such as violence, stimulation, aggressiveness etc. Cool colors stress adjectives such as serenity, tranquility etc.

Spike Lee definitely embraces this by using the elements of both warm and cool colors to emphasize the theme of escalating racial tensions that come to a climax at the end of the movie. In addition, it emphasizes the weather and the heat with bright tones. The color red is used symbolically to convey a variety of emotions. Mood and tone are created by this use of color. As racial tensions escalate, the color continues to visually dramatize what is going on in the minds of the characters as well as what is occurring in each scene.

From its first frame, the energetic credit sequence in which actress Rosie Perez dances in a red bodysuit vibrantly to Public Enemy’s powerful anthem “Fight the Power,” against a rear-screen backdrop that is lit in vivid blues and reds, right to its final shot. The film is an explosion of bright and warm colors and glows in an almost burning-furnace light full of vibrant red, orange, and yellow hues. In the first scenes, yellow light pours through windows of shuttered apartments, nearly obscuring or melting the actors and scenery around it.

In later scenes, particularly the nighttime sequences, a chiaroscuro effect is used, with blue and purple light surrounding the outer areas of the screen, and bright yellows and reds lit on the actor’s faces and bodies. Overall, color is used as a metaphor for the emotions of the characters as well as to set the tone and mood. At the end of the movie, the culmination of these elements parallels the violent consequences of racism and prejudice. The different colors used in the film create a visual experience that helps to set the tone.

The bright, vibrant colors create strong impressions of the characters’ emotions, as well as the overall mood of the movie. The main color used is red, which emphasizes the high temperatures experienced by the people in the neighborhood. In a scene showing Da Mayor’s bedroom, the whole room is tinted with yellow, orange, and red to symbolize the heat. After this scene, we get introduced to the character Smiley who is standing in front of a big red building and he is being shown with an orange tint.

Then this scene is followed with Mookie in his sister, Jade’s room. This room is totally red, to show that it is very hot in there. We can see the use of red, orange and yellow through out the movie to keep reminding us of how warm it is. The bright red brick wall that serves as a background for the three men on the corner gives the scenes involving them a tone of the weather. This brick wall is a reoccurring object in the movie, and it gets lighter or darker depending on the mood of the particular scene.

Tints of red, yellow, and orange are shown during the course of the film to maintain the mood of heat created by them. As the day progresses, bright yellow colors slowly transition into a darker yellowish or orange color. This is used as an indication of the setting sun and the dissipating heat. Color not only emphasizes the heat, but also emotions. The red color used so often reflects the tension, conflict, anger, and frustration among the characters. Their strong and passionate emotions are complimented by the tints of red, yellow, and orange used in the scenes.

As rising racial tensions mount, color is used again to emphasize the heat and emotion. When the rioters set Sal’s pizzeria on fire, it is a bright contrast to the surrounding dark night. The bright color of the flames conveys the rage of the rioters over Radio Raheem’s brutal death at the hands of the police. As Sal and his two sons watch their pizzeria burn down, we see that reoccurring red wall behind Vito. The red color stresses their emotions of anger about the injustices that are taking place. The color red is also used in reference of love and hate.

When Sal and Pino are sitting together in the pizzeria, the tone seems to be a bit red hinting some kind of love connection between the two. It is not the usual red color that shows the hot weather. Also Da Mayor gives red roses to Mother Sister, the red in the roses stands out from all the color during the scene. The use of color in the lighting also brings another important element into the ways that certain scenes play out through the movie. There is a lot of natural lighting being used portraying the characters just as they are. But at the same time, different locations provide for different lighting styles.

Such as is the case in Sal’s Pizzeria where it seems everything is a bit too dark and somewhat shady. Even in the introduction when Mookie wakes up for the day the lighting being used makes his room seem jumbled and is an insight into his life being a mess. The bright fluorescent lighting in the Korean store makes everything stand out too much, and does not make the place seem inviting, but strictly business instead. The light in DJ Mister Senor Love Daddy’s booth is relaxed and calm, just enough light comes in reflecting the cool personality he portrays.

In the scene where Mookie decides to take yet another break from work and visits Tina the mood is entirely set by the color of the lighting. The sun is going down and the room becomes blue. It provides the cool, just as the ice Mookie brings, and makes everything slow down as it happens. The scene where the character Buggin Out gets his shoes scuffed by a white pedestrian is complemented by the warm colors of the mise-en-scene along with the costumes which are important in suggesting the positions of the characters in the community.

The mise-en-scene includes the brightly colored cars on the road as well as the red and brown buildings, all very warm colors. It appears that in the post-production the shots may have been edited to posses a red hue, intensifying the hot atmosphere that is created by the heat wave. Along with this, Buggin’ Out and his group all match the mise-en-scene, wearing bright yellow, orange and red costumes suggesting their sense of belonging to the neighborhood. The contrast is presented through the entrance of the white man who is wearing a green t-shirt with lue socks pulled up, the antithesis of the warm colors the audience has been consistently presented with. The color difference is emphasized in the juxtaposition of the shot, reverse shots where we see the frame filled with Buggin’ Out and his friends wearing the warm colors and then the quick pace of the cuts to the white man wearing the cool green color. The contrast in colored clothing between the characters accentuates the difference in skin tone, instigating the audience’s insight into the importance of racial tension within the film.

The out of place coloring in the white man’s costume, suggests the unusual nature of him being in this black community, an idea pointed out by Buggin’ Out when he says, “what do you want to live in a black neighborhood for anyway? ” Also, the cool nature of the man’s clothing could be seen to emulate the calm and collected manner in which he handles the situation, he keeps trying to diffuse the argument with apologies and through this, Lee highlights the hot-headed nature of Buggin’ Out, a characteristic the audience is shown more explicitly later on in the plot.

In conclusion, Spike Lee is very clever in his use of colors. Warm colors, especially red, are used in characters clothing as well as props and lightening to help put emphasis on the growing racial tensions among the characters that ultimately ends in a huge riot and tragedy. Color is also used to help express emotions that the characters are facing. For instance, in the riot scene, there are so many reds and oranges that clash with the dark blue night to illustrate the anger of the riots after the murder of Radio Raheem at the hands of the police.

Spike Lee’s use of color is forcing us to take sides with his ideology, which is very explicit in this film. The principal idea of Lee’s film is that of the oppression of the black working class, by the non-black capitalists in their very own community. Lee has his characters basically come right out and express their view on this subject. The black characters of the community are alienated from their capitalist counterparts and therefore feel a certain rage against them. By using color, he forces us to take sides with them and succeeds in that.