Film Industry

What is an actor? “Actors play parts or roles in dramatic productions on the stage, in motion pictures, on television or radio, or on the Internet. They impersonate, or portray, characters by speech, gesture, song, and dance” (Actor). Some people believe that an actor is only a person who wants to get famous; however, to be a stand-out actor, one must endure extensive education, know the numerous responsibilities, and be aware of the advantages of this career. Without having actors, we won’t have any movies to watch.

Obviously, education is an essential part of being a successful actor. To become one, there aren’t really any educational requirements one will need. However, one must at least need a high school diploma. If an actor needs more practice, they would want to take classes in english, speech, and participate in theater productions. Taking more classes having to do with acting is beneficial for them to be successful.

An actor who has completed a liberal arts program is usually assumed to be more capable of understanding the variety of roles available. Therefore, it is recommended that they at least complete a bachelor’s degree program in dramatic arts or theater. Actors who want to teach dramatic arts usually continue their education by receiving a M.F.A, known as a master of fine arts degree. This study may include courses in speech, stage, playwriting, directing, movement and design, along with intensive acting workshops. Often, colleges provide the want-to be actor with good acting experience.

More than 500 universities and colleges offer dramatic arts programs and present theatrical performances. Directors recommend that people who are interested in acting gain as much experience as they can through acting in high school and college. People recommend training beyond college, especially for people who are interested in entering the theater. Joining acting workshops is highly competitive, but it is professionally rewarding. There is no certification needed for actors (Actor). Therefore, becoming an actor has a lot of education and many steps to go through that one might want to know before going into acting so they can succeed!

Best of the best actors play roles or parts in productions in motion, on the radio, on stage or television, or on the internet. They portray characters by speech, song, gesture, and dance. There are around 63,000 actors in the world. Actors have to find a part available in upcoming productions. This part may be drama, comedy, opera, or musical. When the actor has read and studied their part, they must audition before other people and the director will have control of the production. This is targeted for established artists. In television and film, actors must complete screen tests, a screen test is a scene recorded on a film, sometimes they are performed with other actors. They are then viewed by the director and producer. If they do get the part, the actor must rehearse their lines over again.

New upcoming technology is changing how actors work. Technical advancements in motion capture characters that do not exist in real life. Actors also will perform with the fake characters to make the film seem real. Radio actors must be skilled in emotion through voice. If actors want a part in theater roles, one must dance and sing and spend more time rehearsing their parts. Actors may also spend weeks, months, or even years just rehearing their parts. That allows one to develop their role, but it can be a challenge. One often travels around the world just to film their movie. Ones that are attending the television must participate in parts such as soap operas and spend years playing their role. Ones also work as extras. Extras are people who are in the back of a film.

The best way to learn more about acting is to participate in local school productions. Try to attend dramatic productions, the more one participates, the better they get. Try talking to people in this field for advice. The library also has a variety of books on acting to start their career. It includes the disadvantages, offerings and advantages of acting. One can also get advice from their drama teacher. The best way to start acting is to act as young as you can. It is rare that one experienced in acting is given the opportunity to perform in Hollywood. Acting is extremely difficult to get into. People who are going to Hollywood are encouraged to have enough money to support themselves to pay for the long wait before landing a job! One may list themselves with a casting agency that will help them along the way. The job of an agency is to keep one name on a file with a photograph with the person on it (Actor). There is a lot that goes on in responsibilities, but the advantages are better and easier for one to understand.

First starting out, actors usually want a part that only has a few lines. The actor would then go into larger roles, if they went to the theatre, they could get a role as an understudy for being the main character. As an understudy, one learns the basic roles of the main character; therefore if one is sick or can not perform, the understudy will fill in for them. Many people who are on the television get their start in commercials or by appearing on sponsored shows. Other actors may join the soap opera. Another way to start acting is to present the weather on a news program. Once one gains experience, they may start to join in strong roles. There on, one may go on to stardom. However, only a couple actors reach that limit in their career. One may also go on to be an acting coach.

The advantages of a wage scale for actors is controlled through bargaining agreements reached by unions in negotiations with the producers. The agreement controls one’s minimum salary, hours of work, and other conditions of employment. In 2014, the minimum salary of one from the Screen Actors Guild – American Federation of Television and Radio Artists was $889 for a day or $3,083 for a five-day week. Motion picture actors may receive other payments. A wide range of one’s earnings will be seen when looking over their Actors’ Equity Associations’ Theatrical Season Report. Just like many other fields, acting has not spared the effects on an economy in recession. Salaries in a year have declined. The hourly earnings of all actors was $22.15 per hour and $46,072 per year in 2016. The United States Department of Labor stated that the highest paid 10 percent made more than $90 an hour.

The earnings of one’s in movies and television are affected by periods of unemployment. Unions offer welfare, health and pension funds for one’s working over a specific number of weeks each year. Some actors are given paid vacations and free sick time, depending on their work contract. If one is sick multiple times, they might not get those benefits.

Actors in television may earn tens of thousands of dollars weekly, while others earn $1 million or more each week. While in films, one may earn $20 million per film along with their percentage of gross earnings. These stars may earn even more money. In recent years, female stars tend to get lower salaries than males. Stars, like Jennifer Lawerence, Julia Roberts, Cameron Diaz and more started to reduce that trend. However, the earnings for motion picture actors are frequently low for well known performers because of how much they have been unemployed. A handful of actors will not receive their unemployment when waiting for their next part, mostly because they did not work well enough to meet the requirements. Vacations and sick leaves are not available to the actor. However, the one’s acting in union, receive the lowest expectations now receive their full health insurance under all unions. One’s who earn benefits for 10 years become more likely to become eligible for a pension upon retiring. The acting field is uncertain. Actors never know if they will get into acting.

One may work under various conditions. People who are in motion pictures might work in the desert one week and in cold studios the next week. However, people working in stage productions work in various sorts of weather conditions. One also works many hours a week. People going out for stage acting usually perform around eight shows a week. A basic workweek, after the shows open, is around 36 hours of performing, unless there are changes. The number of hours one works in a week is based more before the opening, because of rehearsals. An actor’s evening work is natural, especially participating in stage productions. Rehearsals are held at night and over weekends and holidays. Much traveling is involved if the play is on the road.

The acting field is going to grow through 2022. There are various reasons and explanations for this. The growth of mobile media in the past decade created demands for many actors. The rise of home entertainment created new jobs for acting. For actors employed in theater, it is going to gradually grow less than actors employed in television and film. The cost of getting a film a production popular increased in recent years. Small theatres find it even more difficult to find funding than larger theaters. There are more actors than there are roles, this is going to remain true throughout many years. This is accurate in areas of the arts, television, and theatre.

Some actors boost their income by working at other jobs, such as being a waiter. Most actors are members from more than one union. Only a few people are able to support the earnings they get. Most actors don’t get famous while being in their career. Most actors are looking for the right time to go on break. There are many more applicants in these areas than there are positions. Most people come into this career out of their love of acting (Actor). Although there is a ton of hard work that goes into being an actor, those advantages are definitely worth it.

After much research, one can see there is a lot of preparation to be a top-notch actor. It is highly recommended to at least earn a high school diploma. Continuous education is essential to keep up with the multitude of skills, as well as, the responsibilities. Lastly, if one is serious about this career, one will reap the rewards of a hefty salary, some vacation time and health insurance to name a few advantages.

I choose my career, as an actor, because I wanted to learn more about their salaries and what kind of schooling they have to go through. Two fascinating facts I learned about acting is that I do not need a lot of schooling; I just need a high school diploma. Another fact is that I will get paid a lot if I am a top-notch actor. I can get paid $20 million per film, but that all depends on how the film does. I am still interested in this career because the salary is really good depending on how the film does. I also can get to meet other famous actors. 

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Films from down under are going, well, down and under”(Humphreys S cited in Kaufman T, 2009). This essay will confirm there is a crisis is the Australian Film Industry through exploring the economic, political and cultural factors that led to the crisis. The current economic climate and political decisions have had a significant impact on the Australian film industry, leading to lower production rates of overseas films in Australia.

The internal and external cultural factors will be explored to highlight the responsibility the Australian public and the industry had and how ailing to meet these responsibilities has further deepened the already unfortunate circumstances in the industry. However there are economical, political and cultural factors that have led to the crisis in the industry; this essay will also explore why it is called a ‘crisis’. Thus exploring the loss of Jobs, the lack of Australian films being produced, and most importantly the erosion of a sense of national identity that Australians gain through Australian cinema.

Recent successful Australian films ‘Australia’ (Alarm B, 2008) and ‘Black Balloon’ (Down E, 2008) represents the laity that films should be produced to create a successful industry; this reinforces the sense of nationhood at risk of being lost. There is a common misconception that the strong Australian dollar benefits the economy (Boded M, 2010). However for the Australian film industry this is not the case, the Australian dollar has risen to a 28 year high (Dingle S, 2011) so it is justifiable to say this has significantly contributed to the crisis in the industry.

Film executives believe that “the industry is in a crisis and in real pain but we scant tell the al story without sending your international customers running” (unknown cited in Boded M, 2010). Therefore, due to the strong dollar the film industry is in a lose-lose situation further deepening the crisis it is faced with. This is because international films being produced in Australia are significantly more expensive; hence Australia cannot remain competitive in the global market.

Alarms McFarland from Deluxe Promotions states that the last international production that was produced in Australia was the 2009, Gavin Hood film Wolverine’ and before that, Bag Loran’s Film ‘Australia’ (2008) (Cited in Dingle S, 2011). This three-year drought in international film production in Australia exemplifies the importance of a particular economic climate in order to attract overseas production in Australia and to lead to a successful Film Industry. The strong Australian dollar has significantly reduced the amount of international films being produced in Australia in recent years.

Rising Sun Pictures co-founder Tony Clark stated that the current economic climate is “killing us all” and finding new business is crucial but close too impossible at this stage (cited in Boded M, 2010). This has led to a chain of inopportune circumstances, further elevating the extent of the crisis. Due to the lack of international film production in Australia there is significant lull in Jobs in the film industry. The current situation in the industry can be labeled as a crisis as production companies are cutting staff to reduce costs and then the advertising and television (Dingle S, 2011).

Production in Australia also creates employment through the use of stunt doubles, extras and film crew. The lack of overseas production will therefore result in limited Job opportunities in the industry. Therefore the strong dollar has a negative impact on the economy through the perspective of the film industry, as there are higher unemployment rates. Ultimately the Australian film industry needs to position themselves differently within the current economic climate and market place to gain some sort of benefit from the current economic climate (Hear G, Ryan M D, 2010).

Economic factors contributing to the crisis in the industry can arguably be eliminated by political decisions. The Australian Government has failed to introduce adequate tax incentives to attract foreign film production in Australia, which is further stabilizing the current economic climate (Hear G, Ryan M D, 2010). Australian film commissioner Tracey Iberia believed the 15% tax offset “Just wasn’t strong enough” for overseas production to stay in Australia and the tax offset should be doubled to 30% (cited in Dingle S, 2011). The Government will review Subfamily’s proposal but some people in the industry fear it may be too late.

Central City Rod Allen believes tax incentives cannot lessen the effect of the high dollar and “the incentives can’t compensate enough now’ (cited in Boded M, 2010). However, others state that the tax s “not a grant; it’s designed to deliver significant inflows of external investment into Australia” (McFarland cited in Dingle S, 2011). Thus questioning the feasibility of introducing a tax incentive and its ability to seize the crisis in the Australian Film industry. Through exploring past tax incentives, it is evident that tax incentives do not cause enduring improvement to an industry.

The ABA scheme was first introduced in the sass’s, which led to growth in various companies in and associated with the film industry. However tax incentive such as these can lead to an “unstable bubble” in the Australian Film industry, attracting film to be produced in Australia and as the tax deflates so does the production rate of films, causing a negative slum in the industry (Burns A, Lethal B, 2010). Through investigating past tax incentives, it is seen that incentives fail to create stability, through this the extent of the crisis is recognized by showing that tax incentives will not cease the crisis.

The success or failure of the Australian Film Industry is often based on the box office success. However statistics from Screen Australia show that the 100 Australian eater films released between 2007-2009 had a total audience viewing off million by February 2011 and only 6% was viewed at the cinema (Screen Australia). This indicates that basing the success of the Australian Film Industry on box office figures is not necessarily a viable source as the Box Office only indicates a films profit made in cinema.

Film writer Linden Barber believes the film industry “needs to get away from the fixation on the box office… It doesn’t matter where people see films as long as they view them” (2008 cited in Kaufman T, 2009). Therefore can it be Justified hat the Australian Film industry is not in crisis, but purely the unfavorable economic notion, however the industry can be recognized as being in a crisis by the lack of drive for Australians to view Australian films in cinema, therefore Australians are becoming deprived of a sense of national identity achieved through Australian film (Hear G, Ryan M D, 2010).

One may be led to believe that Australians strong sense of nationhood and pride would entice them to watch Australian films to attain a sense of imagined community (Anderson B, 2006). However this is not the case, Australians have become a “viewing population- not a viewing nation” (Vernon D, 2005) weakening the sense of imagined community shared amongst Australians. The Age’s film writer, Jim Schemers argues that a lack of marketing has put the industry in this predicament (cited in Kaufman T, 2009).

Where as American films understand the importance of promotion, this recognizes the simple ways American films dominate Australian films in the Box Office (Kaufman T, 2009). This ‘American’ style of promotion may of lead to the booming success of the film ‘Australia’ (Hear G, Ryan M D, 2010), which raked in an enormous $26,91 5,773 (Screen Australia) in the box office alone. This stresses that maybe internal factors of the industry are the cause of the crisis. The negative attitudes within the industry about the industry have transcended to Australian viewers.

The 2008 film ‘Black Balloon’ (Down E, 2008) displays images of ‘Australians’ to its viewers and creates a sense of nationhood amongst viewers, however it’s co-writer had a different effect on the Australian public. Jimmy Jack singled out other nominees at the Australian Film industry awards when saying “F*KC you! With pride accepting his award followed by a roaring applause. This highlights an industry comfortable insulting others in the industry (Kaufman T, 2009). Thus encouraging and tolerating a negative attitude towards the Australian film industry that the Australian public has accepted.

This ultimately drives the issues in the film industry deeper into crisis. Australian cinema (not Just films produced in Australia) fosters an Australian story, representing and preserving Australian culture, character and identity (Marcher, 1999 cited in Hear G, Ryan M D, 2010). When exploring why the Australian film industry is babbled a ‘crisis’ it is evident it is because of the erosion of national identity and a sense of imagined community, which can be achieved through Australian film.

Bag Allurement’s film ‘Australia’ (2008) uses imagery of the Australian landscape to display national identity thus uniting all Australians with a sense of imagined community (Simpson C, 2010). The film also recognizes the gender and racial discourses imprinted into Australians national identity (Hogan J, 2010) in an attempt to create dialogue amongst Australians to help recognize and eliminate the issues. Ultimately Australia’ recognizes Australia’s past and encourages a brighter future for all Australians- indigenous or not.

The film achieves this through creating a distinct shift in the attitudes of those within the industry by creating an indigenous film that is not “Box Office poison” (Simpson C, 2010). The film ‘Australia’ (Lurching B, 2008) represents the power Australian films hold over a sense of imagined community and national identity. Thus representing the lack of nationhood Australians will Unlike ‘Australia’ (Lurching B, 2008) Elise Downs 2008 film ‘Black Balloon’ displayed a ensue of ‘Australians’ in a more subtle way.

The film was the second highest grossing film in the Box office in 2008 to ‘Australia’, gaining $2,265,689 in the box office alone (Screen Australia). Although this was less than a tenth of what ‘Australia’ (Lurching B, 2008) grossed, ‘Black Balloon’ (Down E, 2008) may have created a more sustainable sense of nationhood. Contrasting to ‘Australia’ (Alarming B, 2008), the film was not tainted by Hollywood (Parents O, Parker R, 2009), displaying an Australian genre of film and following a less dramatic more realistic story line.

Dominic Knight (from the Chaser’s) believes that few Australian filmmakers seem interested in depicting ordinary life (cited in Kaufman T, 2009). Hence Australian films need to maintain their cinematic identity and produce films in which audience’s want to see (Humphreys S, 2008 cited in Kaufman T, 2009). Thus supporting the success of ‘Black Balloon’ (Down E, 2008) in telling a relatable Australian story (Evergreen D, 2005). This further highlights the extent of the crisis, as a sense of imagined community is lost. Through exploring the various driving factors that contributed to the crisis in the

Australian Film Industry it is evident that soon, if nothing has been done, the industry will be labeled a tragedy. The industry is sensitive to certain factors and relies heavily on a specific economic climate to attract overseas production. These external factors are beyond the industries control but still need to be addressed. Although some people within the industry believe it is too late, or that a tax incentive would not be effective in the long-run the government along side the Australian Film Industry should investigate option’s before it is too late.

Through acknowledging that the industry is in crisis one can only anticipate that Australians will recognize the importance that the film industry has in creating a sense of national identity and imagine community and re-evaluate their attitudes towards Australian cinema. The Australian film industry cannot control the external factors that are contributing to the crisis in the industry, however the; industry, government and Australian public need to recognize the issues in order to salvage the industry and eliminate the factors that labels it as in a crisis.