Painting

How the Renaissance Changed the Individuality of Humans The Renaissance changed how people viewed themselves from the Middle Ages when Christianity was so important. Human anatomy, man’s temperament, man’s role in the universe and people in art all show the decreased importance of Christianity and the increased importance of how individuals viewed themselves. The perception of human anatomy and its function from the Middle Ages to the Renaissance has changed greatly and diminished the importance of Christianity. The first theory, “Zodiac Man,” believed that each sign of the zodiac ruled a part of the DOD.

A zodiac is a constellation, which is part of the universe that God created. With the importance of Christianity, people in Europe at this time surely did believe that these constellations were controlling the body (Document H). Belgian physician, Andrea Vesuvius, who actually dissected the human body to better explain what actually happened, made another theory about how the human body worked. He discovered this hypothesis over 30 years after Johann; this new notion better explained how the body actually works and was more realistic (Document I).

After the announcing of this new theory, the importance of how individuals viewed themselves were increased while people were starting to question how important Christianity really was. Man’s temperament through plays showed how Christianity was all that the people of the Middle Ages could think about but then there is a gradual change of how Christianity was viewed in the Renaissance. Plays were conducted for people who were illiterate, this play is written by an unknown author at the start of the Renaissance but the lines of the play carry a meaning straight out of the Middle Ages.

Many at this time knew that God was perfect and people felt that they also needed to be flawless in order to go to heaven and live an eternal life. The author starts the play off by saying that sin in the beginning is “full sweet” but in the end “cachets thy soul to weep” (Document D). The author is saying that people should not commit a sin otherwise they will go to hell. He also states that the individuals should listen to what God has to say in order to live a good life. Otherwise, Shakespeare states, “what a piece of work is man” (Document E).

This line, along with the rest of he excerpt is dictating that men do make mistakes; they aren’t perfect because no one is. These two passages from the plays show the different perception of religion, the excerpt from the Middle Ages is stricter on Christianity and how it is perceived thane excerpt from the Renaissance, where how sin is morally accepted because of everyone’s imperfections. Man’s role in the universe shrunk the importance of Christianity and amplified man’s sense of individuality from the different drawings of the universe and how the two developed and changed people’s understanding it.

Ptolemy developed a theory f the universe that he himself and other scholars believed during the Middle Ages, and that was that earth was the center of the universe. God, having created the universe and the world in which the nation lived, the scholars believed that it would be “geocentric” (Document F). A new concept came along by Copernicus; he believed that the sun was the center of the universe by only relying on mathematics (Document G).

Since the universe had been noted as being “heliocentric,” people started relying less on Christianity and started trusting themselves as individuals. People in art developed more knowledge on paintings and developed new artistic tales at the time of the Renaissance, which caused them to lead off of Christianity in their paintings and focus more on people and how they are perceived. Faces in the paintings from the Middle Ages through to the end of the Renaissance changed, scenes became less biblical and more realistic.

In the Middle Ages, the painting was very religious. This biblical scene shows Mary and Jesus surrounded by angels, her face does not look accurate, especially not as accurate as a face that one would see in present time. Also, Jesus does not resemble a baby but looks more like a miniature an (Document A). With a drastic change, the Mona Lisa shocked many people with how realistic her smile is. Whenever in a room with this painting, the eyes will always follow which is a relatively new artistic style at this time (Document B).

The real difference between these two paintings is that in the one from the Middle Ages, the artist does not know what Mary nor Jesus looks like because they lived in the biblical age, dying long before the Middle Ages therefore the artist trying to perceive the image of them is difficult. Contrarily, the Mona Lisa is a real model posing for the painting. In dad Vine’s work, there is no sign of a biblical scene in his objective. Leonardo portrait helped people in the Renaissance stray from Christianity and appreciate themselves as individuals.

Literacy at the time of the Renaissance started to spread, more educated people started questioning the teachings of the Church. Humanism, a movement where people developed, praised the beauty and intelligence of the individual started to advance at this time. Humanism worked its way into the arts, literature, the sciences and medicine. It started to change the individuality of humans through the human anatomy and how the constellations that ere first controlling the body but have now learnt that humans are the ones to actually control themselves on what they do and say.

Man’s temperament and how plays taught people that sometimes people sin because no one is perfect. Man’s role in the universe and the two different drawings show that the earth is not the center of the universe but the sun is. People in art drifted from biblical scenes and started to focus more on people and the realism in painting real figures. These things all show the decreased importance of Christianity and the increased importance of how individuals viewed themselves.

Madonna in a Church is a small oil panel on oak by Flemish painter Jan van Check. Madonna in a church was made between c. 1438-1440. Van Check has been traditionally credited with the invention of painting in oils, and, although this is incorrect, there is no doubt that he was the real master of the technique. The use of oil paints is very significant in this artworks luminescent quality and presentation of space. The artist creates a new relationship between the viewer and the picture.

There is an illusion of a modern, tatterdemalion’s scene and through this new more attraction, lifelike approach, the viewer becomes connected to the painting, not Just in physical terms, but socially, spiritually and emotionally as well. ” The minute we look at it the shimmering quality of the art stands out. Being only 12. 25″ x 5. 5″ it’s clear why its elaboration is so astonishing. The painting is very long compared to its width, emphasizing the size of the Madonna and the tall structure of the church that it portrays.

The artwork has brilliant intense warm colors, dominating brown and red and the light illustrated with light yellow. On Madonna in a Church, the artist represents a variety of subjects with striking legalism in microscopic detail. The pigment was suspended in a layer of oil that also trapped light, this way Van Check created a Jewel-like medium. On the Madonna’s crown and Jewelry we see shiny precious metals and gems and also, with the help of this technique he could give a life like impression to light. The colors are so luminous that the passage of five hundred years has barely diminished them.

There are so many details and elements to discover on the painting that the eye has a constant exercise inside the picture. From the first view we can tell that the artwork is narrative and descriptive. Van Check had a sharp edged look of the world but he put this look into a fictional environment. The painting was stolen in 1877 and the frame was not found. Despite this absence we still have an impression of a frame because the cathedral interior is viewed at an angle. From this perspective the doorway has a frame effect to the painting.

The shape of the doorway is round, following the ceiling and with this circle effect leading our eyes to the main figure, Mary. ” Van Check has followed traditional theology; his realist art displayed in iconic and allusive forms the Church’s teachings and popular piety. Yet at the same time, he played with symbolism, which is evidently present in the artwork. The Madonna’s size is surreal, very big in proportion to the interior of the exceptionally beautiful church. This is a symbolic niche, giving her all the importance. Byzantine painters used this method for the same purpose.

In the background, angels appear to be singing from hymn books or saying Mass before her altar. ” The image of light has a heavy vision, the rays of the sun come supernaturally from the north to strike through the glass and hit the floor with breathtaking realism. Two lolls of sunlight on the floor in front of Mary come from a direction that defies natural law. Therefore the light is mystical, a symbol of God. We can see it penetrating the church Just as the Holy Ghost entered and impregnated the body of the Virgin, in direct opposition to the laws of flesh.

The perspective and lighting seem to be so natural, until we think about it we don’t see that it’s unnatural, and that it is actually a sacred light. Maybe this is a way to express that what is religious was incorporated into everyday life, that even a Heavenly light had to become like daylight under Jan Van Cock’s paintbrush. The virgin takes her place in the center, gently swaying, she seem to follow her own gaze. Her hair is red; throughout the ages red-haired women have had significance in the arts. They are viewed as unique and mystical, Just like Mary.

She has a beautiful tracery behind her: wooden carving, the stories of her life. It is especially important in the Northern Renaissance, because they used the Juxtaposition of the presented sacred character and then an object or artwork of the exact same personage on the picture, referring to Biblical times. We see a sculpture of Christ behind her, while the baby Jesus is in her arms. She is presented in the everyday life of those people living in the 15th century and part of their modern culture. The church is richly decorated, in the Gothic style.

Jan Van Check pays attention to detail in his painting of architectural interiors, done with unrelenting accuracy. The church is an important symbol of Marry chastity. It’s an Ideal church, Jan Van Cock’s fantasy of a perfect interior to enthrone Mary. This is a way to represent the heavenly sphere in an environment that the people of the time period can recognize. Concluding from the small size of the painting, it was not a painting designed for a huge Gothic church where most paintings were much bigger in proportion. It was probably made for a wealthy man at the time.

In the Renaissance it was common for wealthy people to collect artworks, it had a social significance. Above this, religious paintings and prayer books were manifestations of commitment to prayer. The Flemish didn’t limit their demonstration of piety to the public realm, the individuals commissioned artworks for private use in their homes as well. ” Ideology of the time also influenced the painting. The Madonna is holding the child that is supposed to be Christ. Her face is turned away from the child, achieving a less engaged look. The scene is all about her.

In Van Cock’s painting, the child is a realistic baby; emphasizing the humanity of Christ. The interpretation of this can be the fact that Mary was a human, and in the Renaissance, humanism had a very big impact. After the neglected human dimension of the Middle Ages, the Renaissance brings humanity in focus again with the development of art, technology, and inventions. ” Van Check gives Mary three roles: Mother of Christ, the personification of the Christian Church and Queen of Heaven, the latter apparent from her Jewel-studded crown.

The painting is majestic and luminous, it lights up like a dream. But at the same time the message is both worldly and devout, the artist set out to satisfy both demands, but in a form of realism that contained within itself a playful, even ironic attitude towards the relations existing between individuals, society and religion. Sources: Graham, Jenny. Inventing van Check: the remaking of an artist for the modern age. Oxford: Berg, 2007. Print. Harrison, Craig. Jan van Check: the play of realism. London: Reaction Books ;, 1991. 188. Print.

Salavador Dali was a very talented artist from Spain. He was born in 1904 and died of heart failure in 1989. A lot of his work was influenced by his dreams and he depicted them on canvas. Dali’s work was also influenced by surrealism, a style of artwork that expressed images through unconventional techniques and distortions. Although the work seems to be a little out of the ordinary, I still find it very interesting and extra ordinary. His painting, Geopoliticus Child Watching the Birth of the New Man (1943), stuck in my mind every since the moment I laid my eyes on it.

Geopoliticus Child Watching the Birth of the New Man, is the perfect example of the struggle of successfully coming out into the world. A dark umbrella type canvas shades over a large egg shaped world. It has what appears to be a young male fighting and struggling trying to get out. The world is resting on top of a bright white canvas with thick blood draining on to it from the opening of the world. On the outside of this, a person, who appears to both man and woman is standing pointing at this event unfolding as a young child is gripping tightly to the person watching with his or her eyes full of curiosity.

When I look at this painting of the young man fighting to be born of the world, I think and relate to the struggles and the hassles of becoming an adult and making a place for myself in the world. The dark canvas illustrates a sad and mournful mood and signifies his birth as a baby. This darkness hovers over the real world that the man is trying so hard to step out of. The bright white canvas the world is resting on illustrates his coming death in the future.

The brightness of the bottom canvas sends signals of happiness and rest. I feel this way because I was taught to morn at birth, this world is full of heartbreaks and let downs and to rejoice at death, in death there is rest and the hope of eternal life. The thick blood oozing out from the opening of the earth signifies the sweat and blood he has been sacrificing to become an adult. As the ordeal is taking place, a person that seems to be both male and female is watching.

I say that the person is both genders because his or her features carries is both of male and female. A small child is holding tightly to the legs of this person looking in the direction the person is pointing. The child seems to be watching with curiosity and fear. The person may be trying to teach the child the lesson of the event. I feel the lesson that is trying to be taught is, no matter what male or female life as an adult is a struggle and is hard work.

When I look at Salavador Dali’s painting, Geopoliticus Child Watching the Birth of the New Man, I really can relate to the struggles that is illistrated in the painting. I cannot for certian say that my interpretation is the correct one but I do feel that his intent in this artwork was to open the minds of the people who would look upon it. I never even knew who Salavador Dali was until now, but upon this introduction I know that I will strive to learn more about his life and view more of his artworks.

A Critique on Raphael Raphael was a very unique and admirable artist; however, he had many affairs, Michelangelo also disliked Raphael and thought his art was absurd and many others came to see his influence as harmful. Raphael was engaged to Maria Beanie but never had the chance to marry. From the beginning he was never interested in this engagement and he found entertainment with his mistress, Margarita Lute. During the time of his death he had written a will which left sufficient funds for the care of his mistress.

He left his studio and trust to his friends. Despite his “engagement”, Raphael was a womanlier. He said that his mistress had to live with him because, “no sex, no frescoes”, if he didn’t get what he wanted then no one will get what they want. The cause of his death was unknown to many but some say that he died because of his courtship with Margarita Lute several days before his death and obtained a certain disease and was treated for another and later died of the wrong cure. Raphael became an icon of lust.

He later started painting nude portraits, which lead to Michelangelo having a keen dislike towards Raphael. Raphael had looked up to Michelangelo for the longest time and has been inspired by him numerous times. He has also gotten ideas for new paintings from the inspiration of the great Leonardo Advance like, “The Young Lady with Unicorn”, this particular picture was inspired by Advancing, Mona Lisa. After his death Picasso had painted a series of pornographic paintings depicting Raphael and Margarita Lute making love with Michelangelo hiding underneath the bed.

Repeal’s art will forever live on and will most definitely have a magnificently Jaw dropping story behind it. Being an icon of lust and Michelangelo having a severe hate towards him really helped him discover what he really truly wanted to paint. He merely told a story of his life through his art and his affairs, he says were with the love of his life. Not only will people remember him for his works of art such as “The School of Athens”, but they will also remember him as a man with a titillate passion for love.

Despite my limited knowledge about art, its components, and the artists who create their masterpieces, Vincent Van Sago’s The Starry Night is probably my favorite piece of artwork in the textbook. I love this painting and chose it because to me, this piece of work is so serene yet captivating and stimulating at the same time. I believe that if a piece of art can evoke that many emotions in a person, then it is truly a masterpiece. I actually have a replica of The Starry Night hanging in my house, which as another reason why I chose to discuss this particular painting.

One of my favorite aspects about Van Sago’s work is the lines depicted and painted in the art. I think that is the main element that makes The Starry Night so unique and beautiful. Van Gogh uses colorful and curvy lines in an energetic and stimulating way. The color used in this piece of art is also a powerful element included . I think that the colors Van Gogh chose to use are genius because it makes the painting more rueful yet sets almost a cool and serene atmosphere by using the blue colors and its hues.

The textbook suggests that many have depicted The Starry Night to reflect Van Sago’s disturbed mind. However, I find the painting to have almost a mystical and calming effect. The different lines that Van Gogh uses in this piece of art also provide the piece with texture. Looking at The Starry Night hanging in my living room or the one in the textbook makes me want to reach out and actually be able to feel he artwork itself and the lines to feel the texture it appears to have.

Van Gogh also uses the elements of light and dark superbly in this painting. The whole painting is created using darker colors yet the sky reflects lighter hues variously throughout which I believe provides The Starry Night with a nice contrast. I think that Vincent Van Sago’s The Starry Night is my favorite piece of artwork I have seen yet and contains many different design elements and principles that help make it the masterpiece that it is today.

Introduction: The 19th. Century was an era of invention and discovery. The horrors of the First World War led to widespread social trauma. People found consolation in art and literature, and used it as a way to express their outrage caused by the war. People demented a form of expression that was honest, realistic, and critical of political and social behaviors. This Disillusionment following the war manifested itself in a number of ways, sparking artistic, literary, philosophical, musical, and cultural movements.

In contrast to pre-war artistic movements, such as Impressionism, post- ar art became bleak and cynical, changing the rules, abandoning tradition. Literature mirrored the artistic movements in exposing the atrocities committed during the world war. Some people were revolted by nationalism and what it had caused; so, they began to work towards a more internationalist world through organizations such as the League of Nations. Pacifism became increasingly popular. Others had the opposite reaction, feeling that only military strength could be relied on.

Dadaism Dada or Dadaism was a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design. The movement was originated in Zurich and Trace in 1916. This movement was a protest against the barbarism of the War. Its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art. There was also a rejection of war politics and social organization. Characteristics: Dada artworks allow the viewer to interpret artworks in a variety of ways.

It was an artistic revolt and protest against traditional beliefs of a pro-war society, and also fought against sexism/racism to a lesser degree. It was an anti-war movement created by artists around Europe as a way to express he troubles and traumas within societies affected by the war itself. Influences by Futurism, Cubism and Expressionism Collage Technique of cutting pieces of paper items and including items such as transportation tickets, maps, plastic wrappers, etc. To portray aspects of everyday life.

Photometer Dadaists used scissors and glue rather than paintbrushes and paints to express their views of modern life through images presented by the media. Photometer utilized actual or reproductions of real photographs printed in the press. Key figures: Tristan Tsar (1896 – 1963) was a Romania avian-garden poet, essayist and reference artist. Also active as a Journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Hannah Hooch (1889 – 1978) was a German Dada artist.

She was one of the originators of photometer. Francis Pica (1879 – 1953) was a French painter, poet, and typographic, associated with Cubism, Abstract art, Dada and Surrealism. Surrealism Surrealism is a cultural and artistic movement that began in the sass’s in Paris. It is best known for its visual artworks and writings. The movement spread around the globe, eventually affecting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory. The aim was to “resolve the previously contradictory conditions of dream and reality. Artists developed painting techniques that allowed the unconscious to express itself. The goal of Surrealist artists was not to produce lifelike replications of people or objects, nor were these artists concerned with creating works of delightful abstract beauty to delight the eyes. They were instead focused upon using all forms of art as a meaner to express the real functioning of the human mind. Fraud’s work with free association, , and the unconscious was of utmost importance to the Surrealists in developing methods to liberate imagination.

Surrealism in all its forms is highly concerned with dreams and the subconscious mind. Surrealist art does not shy away from shocking, sexual or violent imagery; artists within this school actively sought to push the boundaries of what was considered socially acceptable and artistically valid. Surrealist literature Lit©return contained automatism works and accounts of dreams. Examples of Surrealist literature are Artist’s El Pees- (1926), Argon’s Urine’s Count (1927), P©retest’s Death to the Pigs (1929), Creel’s Mr.. Knife Miss Fork (1931), Shades Headway’s the Blind Owl (1937), and Bretons Sure la route De San Romano (1948).

Surrealist films Early films by Surrealists include: Un Chine Nodal by Luis Bundle and Salvador Dali (1929) L’?GE door by Bundle and Dali (1930) Music by Surrealists Jazz and blues music were very important during this movement Key figures: Salvador Dali was an Spanish painter and filmmaker whose melting clocks and five- egged stick animals are easily recognized throughout the world. Like the other Surrealists, Dali sought to explore the nature of the artist’s true self by embracing the marvelous, irrational, subconscious areas of the mind.

is a painting by the famous Spanish surrealist artist Salvador Dali. The original title of this painting is “La persistence De la memoriam” and it depicts a fetus-like head lying on the ground, like a fish that was washed ashore and now decaying after a lost struggle gasping for air. There are four watches in this painting, three of which appear to be molten, as if made out of cheese. The only watch whose structure doesn’t appear to be malformed – unlike other watches it is orange in color – is sitting on a desk-like object.

The ants seem to have found a point of interest in the centre of the orange watch. It possibly derives its meaning from Sigmund Fraud’s work on psychoanalysis because Dali painted it during his psychoanalytical era of painting. Interpretation 1: The persistence of memory meaning theme: the drooping backstretches possibly suggest the irrelevance of time during sleep. In other words, when we are asleep, or not conscious, the time does not persist, but memories do. Interpretation 2: Yet another interpretation of this painting may, through the use of symbolism, suggest Einstein theory that time is relative and is not fixed.

Conclusion Art movements are born out of the need for people to express their reactions to social, political and religious changes. Whether they accept them or openly disdain them the goals are equal in velocity: To promote their perspective of current changes. In most situations, new movements will gradually appear on the art scene. As the movement grows it will offer the artists an opportunity to explore new philosophies hill extending an invitation for them to enlist among the ranks, adopt some of the ideas or continue to remain loyal to their current trend.

The new movement will no doubt meet with resistance from critics and patrons alike, who usually perceive the new movement as nothing more than an unsolicited crusade with little or no hope of survival. The artists, on the other hand, adamant that the message conveyed through their art is critical, will continue to push forward with their movement until it gains acceptance or has reached its apex and has nothing new to offer in the way of ideas.

Title of artwork Artist’s name(s) Medium Museum or institution who owns the work Paragraph in short essay form that includes the following: : Describe what you see and the design as a whole. History: In what art style does it fall? Interpretation: Is there any symbolism? Consider the following example: 1987 Landscape with Tree Oil on canvas Metropolitan Museum of Art, New York Landscape with Tree by George Smith is an example of American realist painting of the 20th century. The realist style has origins that trace back to the 19th-century

French artist Gustavo Court. Smith is one of the few American artists still engaged in the realist manifesto, which rejects abstraction as a corrupt, elitist form of art. Landscape is an asymmetrical composition. The work achieves a sense of balance through counterbalancing the tree and moon on either side of the picture plane. Although composed in stark black-and-white, Smith’s work achieves an expressive force created by the use of a dynamic, fluid line. The tree in art is often associated with life, renewal, and growth (Grove Art Online, 2007).

Smith establishes a contrast between the tree’s symbolism and the quarter moon. On your reference page, images found online must be cited as follows: Example electronic image citation: Author (Role of Author). (Year image was created). Title of work [Type of work]. Retrieved Month Day, Year, from: website address Example electronic image citation with no author: Title of work [Type of work]. (Year image was created). Retrieved Month Day, Year, from: website address Final Project Timeline You should budget your time wisely and work on your project throughout the course.

As outlined below, some assignments in the course are designed to assist you in creating your final project. If you complete your course activities and use the feedback provided by the instructor, you will be on the right track to successfully complete your project. Suggested in Week One: Review recommended websites listed in your Appendix B and your textbook and think about which broad area of art you want to research for the final project. Suggested in Week Two: Select a broad area of art, for example, architecture, sculpture, film, video art, installation art, performance art, painting, drawing, hydrotherapy, or Internet art.

Suggested in Week Three: Within your chosen medium, think about one theme you want to research, such as Mexican fresco paintings or Buddhist sculptures. Suggested in Week Five: Submit the theme for facilitator feedback. Due in Week Six: Begin writing the 100-word paragraphs for your 10 selected works in short essay form. Suggested in Week Seven: Continue to write captions in short essay form. Suggested in Week Eight: Finalize timeline works and text. Include citations where appropriate. Due in Week Nine: Submit your final project.