Saint George And The Dragon

This oil painting on canvass was created in 1470 by Paolo Uccello (whose real name is Paolo di Dono), an Italian artist. The subject of the painting is the story of Saint George as he overpowers and slays the dragon that has been a menace and a fright to the citizens of the city. As Saint George kills the dragon, the Libyan Princess was saved. The painting illustrated a space that is 3-dimensonal. Uccello effectively applies his skill in linear perspective.
He has likewise decorated his pattern beautifully and colorfully. This can be clearly seen on the wings of the dragon. Using the canvas as a medium demonstrated the renaissance characteristic of the work of Uccello (which is the Italian word for “bird”), as he and his work belonged to that period of rebirth. Just like the way he has painted Saint George and the Dragon, the canvas vividly tells a story and thus a rational approach to the work.
The characters painted in the story are presented to be elegant, beautiful and graceful. The lighting that is illustrated in the painting is not real but created for purposes of highlighting the story and not necessarily the reality of how and when the story happened. Saint George and the Dragon’s linear perspective is a semblance of old Gothic technique in painting. The skill was a challenge that renaissance artists like Uccello faced.

He illustrated his paintings that convince “illusion of the way our world looks”. This then signified the temperament of artists in the Renaissance such as a sense of independence; the utilization of subjects of secular in nature as the object of the art; and the freedom of the individual style. Therefore, Paolo Uccello indeed illustrated in Saint George and the Dragon what is significant in the story as he emphasizes what is specific and at the same time, subtle ability of his imagination.